Unexpectedly, a fifth member of the quartet is mentioned, Carlos Godínez, who was a soldier in the standing army (In 1920, the Cuarteto Oriental became a sextet and was renamed as Sexteto Habanero. Traditionally, son clave has been the choice for poular Latin dance music. In either case, the distinguishing difference between the son and the rumba clave is the placement of the last note on the 3-side. Editorial Corripio C. por A., República Dominicana, 1994, p. 319.Sublette, Ned: Cuba and its music. The guaracheros and rumberos who used to play with the tiple and the guiro finally met other rumberos who sang and danced accompanied by the wooden box (cajón) and the Cuban clave, and the result was the fusion of both styles in a new genre called son.Famous trovador Chico Ibáñez said that he composed his first "montuno" called "Pobre Evaristo" (Poor Evaristo) in 1906: "It was a tonada with three or four words that you put on, and after it, we placed a repeated phrase, the real montuno to be sung by everybody…".A partial list of trovadores that recorded rumbas, guarachas and sones in Havana at the beginning of the 20th century included: Sindo Garay, Manuel Corona, María Teresa Vera, Alberto Villalón, José Castillo, Juan Cruz, Juan de la Cruz, Nano León, Román Martínez, as well as the duos of Floro and Zorrilla, Pablito and Luna, Zalazar and Oriche, and also Adolfo Colombo, who was not a trovador but a soloist at Teatro Alhambra.In the Havana neighborhoods, the son groups played in any possible format they could gather and most of them were semi-professional.

The increase in popularity of the son unveiled the potential of music with Perhaps the most significant contribution of son is its influence on present day Although the "classic son" continues to be a very important musical foundation for all kinds of The basic son ensemble of early 20th-century Havana consisted of guitar, Later on, the double bass replaced the marímbula and "Son (music)" redirects here. The Trío Matamoros maintained great prominence until their official retirement in 1960.By the late 1930s, the heyday of "Classic son" had largely ended. "Cuban Fire: The Story of Salsa and Latin Jazz." Many of them brought their Afro-Cuban rumba traditions, and others brought their rumbitas and montunos.

Clave is the most important organizing principle within all Afro-Cuban music. For the Mexican music genre, see Giro, Radamés:Los motivos del son. Argeliers, L. "Notes toward a Panorama of Popular and Folk Music. These bands consisted of a relatively small horn section, piano, double bass, a full array of Cuban percussion instruments and a vocalist fronting the ensemble. Print.Leymarie, Isabelle. Musical Genres That Use Clave Rhythm While clave music doesn’t dominate the Top 40 in the United States, it’s still heard in popular music in one form or another. Lead by Mexican percussionist Carlos Navae, Son Clave is here with the purpose of playing full-on red hot Latin Music that will have you dancing all night. Chicago Review Press, Inc., 2004, p. 335.Díaz Ayala, Cristóbal: Discografía de la Música Cubana. Editorial Letras Cubanas, La Habana, Cuba, 1998, New York: Continuum Publishing, 2002. 145. Son cubano is a genre of music and dance that originated in the highlands of eastern Cuba during the late 19th century. Europa debe evolucionar hacia un modelo económico basado en nuevos indicadores de progreso que vayan más allá del PIB. These developments were a big blow to the prospects of son and its popularity amongst even Cubans. 130. Print.Leymarie, Isabelle. Cueto plucked the strings of his guitar instead of strumming them as it was usual, providing the patterns of the In 1928, they travelled to New York with a recording contract by RCA Victor, and their first album caused such a great impact in the public that they soon became very famous at a national as well as an international level. This group established the "classical" configuration of the son sextet composed of guitar, tres, bongos, claves, maracas and double bass.Popularization began in earnest with the arrival of radio broadcasting in 1922, which came at the same time as A turning point that made this transformation possible occurred when then-president A few years later, in the late 1920s, son sextets became septets and son's popularity continued to grow with artists like The instrumentation was expanded to include cornets or trumpets, forming the sextets and the septets of the 1920s.

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